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Peggy's Theme : ウィキペディア英語版
EastEnders theme tune

The ''EastEnders'' theme tune was composed by Simon May in 1984. He was assisted by Leslie Osborne.
The theme, which is written in the key of E-flat major, is largely based upon percussion, strings and the piano, it is widely known for its dramatic use of sound, particularly the drums that begin at the end of an episode – which adds a sense of importance, suspense and drama to the cliff-hanger. This in itself, has been parodied and used by television shows since, such as in a ''Friends'' spoof that featured on ''SMTV Live''. The drum fill was written and played by Graham Broad.
The theme has become widely recognised. A 2008 poll by PRS for Music cited it as the most recognisable piece of music in the UK, beating the national anthem "God Save the Queen".
The theme tune was nominated for an Ivor Novello Award in 1985 for Best TV Theme〔(【引用サイトリンク】title=Simon May )〕 and in 1987 it won the Television and Radio Industries Club Award for Best TV Theme Music.
==Inception==
The co-creator of ''EastEnders'', Tony Holland, was impressed with composer Simon May and graphic-designer Alan Jeapes for their work on the titles and music for the spy thriller ''Cold Warrior''. May was told that ''EastEnders'' was going to be an edgy drama, and came up with a piece of music that was rejected. Producers wanted something melodic, "to bring people in from the kitchen or garden", and he offered an attempt that conveyed everything about the East End that the producers wanted; "bells, whistles, hand-claps, sitars, steel drums and an underlying feel of being on a merry-go-round." May began writing the music that was used for the theme tune when he was seven years old, around 34 years before ''EastEnders'' first aired, and based it on the scales that his music teacher had taught him.
All of the chords used in the piece of music are diatonic, with no chromatic alterations; it has been said that this "adds to the directness of the music". The main melody is scored for a piano, which has been described as having a "pub sing-a-long feel" to it. The tune is also doubled by a whistle, and there are two rhythmic permeations, a dotted crotchet-quaver moving the music forward, and a two-quaver hand-clap on the fourth beat of every other bar.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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